Sunday, August 30, 2020

Tenet - Movie Review - An appropriate welcome back to cinemas

If you ask anyone who their favourite film director is, or at least who one of their favourites is, Christopher Nolan is someone who is most likely to come up. He has gained a reputation for making clever, complex, thought provoking, and thoroughly enjoyable films over the last twenty years or so, attracting the attention of many. I've always admired him as a filmmaker, but have recently come to love a lot of what he's made, including The Dark Knight trilogy, The Prestige, Inception, Interstellar, and Dunkirk. So, a new film of his is always welcome.

Having been stripped of cinemas and generally good films from the year 2020, my excitement for Tenet kind of went through the roof. The intriguing look from the trailers as well as the general idea of time being played around with once again was enough to get me on board. However, I was also conscious of the fact that many had said this was Nolan's most complicated and plot-heavy films to date, and that this could weigh the film down, especially for someone like me who is generally rubbish at following along with films. Nevertheless, I was keen to see exactly what Tenet was with hardly any knowledge of what it was actually about.

The plot essentially centres on a man, simply named The Protagonist, who is recruited by a secret organisation to use futuristic technology in order to prevent world war three. 

As I hoped, this film is extremely enjoyable. Like all of Nolan's other films, the action stands out as being so different from what we're used to in other blockbusters. The way rewinding time is used is very effective and it gives way for some inventive sequences, including one-to-one fight scenes as well as vehicle chases. There are also many sequences, similar to the climax of Doctor Strange, where characters interact with things that are going a different direction in time to them, creating some very engrossing visuals.

The film also had some terrific performances. John David Washington was great as the protagonist, being very likeable and charismatic, he is definitely an actor with a big future if this and his work in BlacKkKlansman are anything to go by. Robert Pattinson also gives another solid performance, somewhat reminding me of Tom Hardy's character in Inception, that being the extremely British and witty member of the crew. He's also someone who, despite already being well-established, has a big future ahead of him, especially with the upcoming Batman movie. Everyone else such as Kenneth Branagh and Elizabeth Debicki did a good job too. 

One thing that concerned me going in was that the film wasn't going to have the usual Hans Zimmer music we've come to expect in a Nolan movie. Fortunately, Ludwig Göransson did the job phenomenally. The score, while occasionally overbearing, was excellent. It set just the right mood / atmosphere and was varied enough from generic action / blockbuster scores to be considered memorable and unique. It's no Inception or Interstellar, but still very impressive. 

As far as other things I liked go, one of my favourite things was the themes that the film plays around with. There are so many interesting ideas explored throughout Tenet, such as freewill, predestination, causality and effect, and more. It really leaves you with so much to chew on and think about, much like the best Nolan films do. 

Despite all this, there are some issues I take. The most notable is the fact that this is an unbelieveably complicated and very intricately structured film. You really have to pay attention very closely or the film will begin to just feel very confusing, just missing a single line of dialogue could sacrifice your enjoyment of the next twenty minutes or so. While Nolan always does a good job of keeping you entertained even when you're unsure of exactly what's happening, it is nicer to have a strong understanding or the film can feel less engaging. Granted, it took me multiple viewings and a bit of research to fully understand some of Nolan's other films, so this may be less of an issue with the more I look into / rewatch this film.

Also, the film is paced quite clunkily. A lot of the first act and parts of the second feels very rushed and as if the film is just jumping from one set piece to the next with little to tie them together. There is a plane crash as you may have seen in the trailers, and it occurs a lot sooner and with not as much build up as I was expecting. It eventually made sense but it still felt a bit unjustified, almost as if it was just happening for its own sake. 

The one other key problem I have is with the stakes, which didn't feel very prominent. The film is about the prevention of a third world war, but aside from that technically being a big deal, I never felt like a lot was on the line. The performances were all great, as I said, but the characters themselves were a bit one note. Compare this to Inception, which I rewatched just before seeing this. That film doesn't have an amazingly fleshed out cast of characters either, but it does have an emotional throughline with the central character of Cobb. It is explicitly clear that much is at stake for him, and once we are shown this, there is a lot of tension created. Additionally, that film was paced and structured a lot better, so the lack of proper character building outside of Cobb was perfectly excusable. Here, there doesn't seem to be much reason to care about what is happening, aside from the threat of war, which is only a threat by default. 

The only other thing I'd say was kind of an issue was the style. While the film was visually stunning and always doing something creative, once you strip away the rewinding time gimmick, it feels a tad bit dull. All of Nolan's other films have a distinct style and always something unique going on, to the point where any frame could tell you which one you're watching. Here, it seems more like a generic action spy movie at times without any of Nolan's fingerprints.

All things considered, Tenet wasn't quite the excellent return for Christopher Nolan that I hoped it would be. Fortunately, despite its excessively convoluted story, lack of emotional investment, somewhat weak pacing and slightly bland style, it is still a very enjoyable film. The bold and eccentric action, strong acting, spectacular score and fascinating themes make it something definitely worth thinking about. It'll always be nice to see a mainstream filmmaker doing something genuinely interesting and demanding with everything they do, so even if I didn't love this movie, my respect and appreciation for it is very large. I'm sure I'll probably go back to see this soon, but until I do, I doubt I'll stop wondering what exactly it was. I mean, it's without a doubt the best 2020 film I've seen so far, as if that needed pointing out.

I'm going to give Tenet a 7.5/10

Also, this was my third trip to the cinema post-lockdown, and it was the first time where I was in a room with many other audience members. It may not have been the most safe environment, but it was jolly good to be in the presence of many others absorbing the magic of the big screen. I can't wait to see how this does at the box office this weekend, hopefully it'll save cinemas as we know them!

Friday, August 28, 2020

Top 10 Films I watched for the first time during COVID

COVID wasn't really that great for the world in general, but it proved itself to be an efficient time for me to get round to watching many movies I had never seen before but had always wanted to, as well as discovering many movies I had no initial intention to see but ended up loving. 

As lockdown has slowly began to ease, and as many big movies are coming to the big screen for the first time in ages, I decided to take a look back at all the things I first encountered during this troubling time and see which ones were the best - so, here are the 10 best films I watched for the first time while stuck at home. This list does not include any new releases for 2020, as the focus is the pre-existing content I watched in this time. But, even if I did include them, I don't think any would even crack the Top 20...

10. BlacKkKlansman (2018)

This was one of those films that'd been on my watchlist for ages, and as it came to UK Netflix in late July, I was finally able to watch it. Thankfully, it was as good as I'd hoped. The most amazing thing about BlacKkKlansman is the fact that it manages to be really insightful into the lives of Black Americans throughout history and addresses many shocking issues I could not believe, while at the same time being thoroughly enjoyable and extremely funny. I laughed countless times during this film while my jaw dropped multiple times when I was faced with some of the unbelieveable information being given to me. So, being both a great time and a somewhat educational one, BlacKkKlansman is something I'm sure to return to. 

9. The Imitation Game (2014)

Another film I'd been meaning to watch for ages, and I'm so glad I finally did at the start of August. This is a very well made film in terms of its clever script as well as its cinematography and score. But, the best aspect was the lead performance from Benedict Cumberbatch. He brought the character of Alan Turing to life in such a way that was both entertaining and believable. Additionally, I'm a fan of wartime films in general, especially those that tell a really interesting story about something or someone I had little to no knowledge of beforehand. So, The Imitation Game is yet another film I'd happily sit down and watch again.

8. Mission: Impossible - Fallout (2018)

This was the first Mission: Impossible film I have ever seen, and I'm really keen to see all the others if they're as good as this. There's not an awful lot to say about Fallout, it's just an extremely engaging, efficiently made, and well constructed action movie. The fights and chases are all really exciting, making me wish I'd seen this in a cinema. I also really like how despite being the sixth entry in a series, it works really well as a standalone movie, something rare amongst other big franchises. I really enjoyed this and will certainly be seeing each other mission.

7. Schindler's List (1993)

I'm honestly kind of amazed it took me so long to watch this movie. I visited Auschwitz back in December last year and became fascinated by this period of history, but seven months was what it took to get me to finally watch this. Schindler's List is a brutal but completely honest depiction of the Holocaust, and at the centre of it is a man who did something truly extraordinary. As mentioned before, I love wartime films about people I don't know much about, but especially those that did amazing things. This story captivated me and kept me enthralled for the three whole hours it played. But, beyond all that, what I find most commendable is the fact that this was made in the same year Spielberg made Jurassic Park, my favourite of his movies. You know someone is talented when they can make two excellent movies in the same year, but that is only intensified when those two films are completely different in almost every way. Hats off to Spielberg, he is the human embodiment of a true and love for film.

6. The Breadwinner (2017)

I adore 2D animation, so this movie already gains several points from me. But, I adore films about one of my favourite things on this planet - storytelling. The Breadwinner, despite being all about courage and independence, is a gorgeous tale about the importance stories play in our lives and how they can guide us through even the hardest of times. This all amounted to a film I loved so much about. I will certainly revisit this at some point soon, because it was simply beautiful.

5. Batman Begins (2005)

With a certain movie directed by Christopher Nolan currently in cinemas, I tried to watch the films of his I hadn't seen yet, of which there were quite a few. For some inexplicable reason, I had seen two thirds of The Dark Knight trilogy, but not where it all began. But, I was able to complete the legend in this time and I'm so glad I did. Despite being a bit bumpy to start, Batman Begins is essentially everything I want in a superhero movie. The world being taken seriously, the characters being properly fleshed out, a hero that's likeable, gripping action, pulse-pounding music, a healthy splash of comedy, and quotable lines. It's just a damn good and example of how to do things with the genre, and I will certainly be coming back to it, maybe more than the other parts of the series. 

4. Princess Mononoke (1997)

One of the greatest discoveries I made while in lockdown was Studio Ghibli, a company that almost everyone sung the praises of, yet I, a huge fan of not just animation but 2D animation in particular, wasn't all that familiar with. So, with them all on Netflix, I refamiliarised myself with the few that I had seen like My Neighbour Totoro and Howl's Moving Castle, but also watched many I'd only heard of, Mononoke being one of them. This is a remarkable piece of work, taking an age old conflict and offering a refreshing interpretation of it. It doesn't sympathise with or oppose mankind or nature, as both are presented to be just in the wrong as each other, and our hero, the one we connect with, is caught in the crossfire. This made the film a fascinating watch. On top of this, the animation is phenomenal. It's so inventive as well as unique, and the world presented is so immersive. My only issue is that I did find it to be and bit too profound and overwhelming at times, but I'm sure that won't be a problem upon revisiting, hopefully it'll just get better!

3. Spirit: Stallion of the Cimarron (2002)

This is by far the most underrated film on this list. Spirit is another beautifully 2D animated film, but it's enhanced by such an exhilerating atmosphere. A large part of this comes from the astonishing score by Hans Zimmer, with some parts coming close to his work on The Lion King. I don't really have much else to say, it wasn't that interesting from a story perspective, but if I want to sit down and watch something exciting and visually stunning, Spirit is sure to be something I'll go for.

2. The Prestige (2006)

Is it just me, or is nobody talking about what an amazing Nolan movie this is? Everyone rambles on about The Dark Knight, Inception, and Interstellar, and for good reason. But, why don't I see anyone discussing what an intricate and thrilling movie this is? The Prestige has a great plot. Magic is always fun to play around with in storytelling, so in the hands of such a great filmmaker, it gives way for a narrative that is engaging through the many puzzling yet satisfying twists and turns that it offers. Additionally, the performances were all terrific and the Victorian aesthetic was very interesting. This is one of my favourite movies from Nolan, simply because it just wowed me on a level that none of his other movies, aside from Inception, did. Fingers crossed I can say the same for Tenet!

1. Spirited Away (2001)

I'm sure that as soon as I mentioned Ghibli, you wondered where Spirited Away would appear on this list. Well, like many others, this is my favourite of theirs. It was also a film I was able to see in the cinema at the start of August, as they were doing a lot of reruns before the new stuff arrived. This is just a magnificent film, and Hayao Miyazaki's magnum opus. It expectedly looks and sounds utterly beautiful, but it is probably the most thematically rich of any other Ghibli movie. It is about many things, such as courage, kindness, and independence, and it's all anchored with a great protagonist who is appropriately anxious and vulnerable to begin with, but naturally grows over the course of the narrative in such a satisfying way. The film also manages to balance the many exciting and profound scenes of fear and confusion with many sequences and smaller moments of peace and simplicity, letting it all sink in. Aside from the occassionally peculiar English dubbing and one or two minor things that ticked me off, Spirited Away is one of my favourite animated films of all time and something truly special indeed.  

Well, those were the best things I watched for the very first time during lockdown. A few other great films that almost made the list include Gladiator (2000), Arrietty (2010), Mission: Impossible - Ghost Protocol (2011), Searching (2018), Kiki's Delivery Service (1989), and When Marnie Was There (2014). This has been a great time for me and movies, and I'm super excited to hopefully get back into proper movie mode with new theatrical releases for the rest of this year while also continuing to find new things that are already about.

If you want to see my reviews of the many other films I watched during lockdown as well as the ranking of everything I watched for the first time in lockdown, be sure to follow me on Letterboxd @Jack W. I post a review on there for every film I watch, be first viewings and rewatches. Check it out!

All Digital 2020 Releases I've Seen Ranked

As I'm sure you know, 2020 robbed us of new theatrical releases for several months. This was especially annoying for me as I, despite visiting the cinema nine times this year before lockdown began, only saw one actual 2020 film, Pixar's Onward. While in lockdown, despite being content with working my way through my extensive watchlist of existing films, I was still craving some new material. Fortunately, I was able to watch eight new releases in this time. Unfortunately, they were quite a weak bunch. To put it into perspective, Onward was the only 2020 film I'd seen before lockdown, and it was a movie I thought was just pretty good. But, somehow, none of these films were better. So, with some new theatrical 2020 releases finally arriving soon, here's every digital 2020 release I've seen ranked.

8. Trolls World Tour

I was never too big a fan of the original Trolls movie. I remember thinking it was okay when I first saw it, but never revisited it. So, I didn't have too high hopes for this sequel. The animation was fairly creative, some of the characters were cute, and the overall message, while on the nose, was nice. But the movie as a whole was just extremely obnoxious. Most of the characters were irritating, almost all the songs are too noisy and overly flashy, and while it wasn't necessarily dull, it was quite a tiring watch. I don't know what has happened to Dreamworks lately. When I was growing up back in the 2000s, they consistently made many great movies, so I don't know if they've dropped the ball or if I've just grown out of their stuff. But, then again, I rewatched Shrek, Madagascar and Kung Fu Panda during lockdown, and I still really like those movies, so I think this studio ought to up the ante from these lowest-common-denominator appealing kids movies that I don't think will please anyone above the age of ten - 4.5/10

7. The Old Guard

I would do a fair-sized writeup about my thoughts on this movie, but I have such a hard time remembering almost anything about it, and I only watched it a month ago! The Old Guard was so boring, it is a waste of such an intriguing premise. It could've been an awesome journey over many centuries, following this team of immortal guardians and their struggle to constantly protect the earth, allowing for many interesting settings to be explored and tons of varied action scenes. But, instead, it's a bland, wannabe John Wick, modern day action movie that I will allow myself to forget after writing this sentence - 5.5/10

6. Project Power

I only watched this a few days ago, and I can hardly recall much about it as well. Project Power is only slightly better than The Old Guard for me because it doesn't feel like the premise here is being wasted, even if it also isn't being fully utilised. There were also some cool visuals in amongst all the bland character interaction, but the best part about this movie for me was Joseph Gordon-Levitt. This guy is such a great actor yet I've barely seen him in anything since 2015's The Walk, so it was a nice surprise to see him still about here. Aside from that, I don't think I'll bother thinking about this either after finishing this sentence. I actually feel a lot more sour towards bland movies than bad ones, because they leave so little an impact on you that any value there is feels worthless - 5.5/10

5. Extraction

The best of the forgettable, 2020, Netflix, action movies trilogy, but that isn't saying much, if anything. Extraction is nothing special, but the action I came for was pretty decent. Chris Hemsworth is such a likeable lead and he punches his way through this movie pretty well. There's one unbroken tracking shot in the middle of the movie that felt like it went on for 10 minutes or so, and it was really awesome and, best of all, memorable. That scene alone was better than the last two movies combined. But, as I said, there is very little aside from the action to grasp onto here. It's just a solid, competently made flick, and I'll happily take that any day for the rest of this year at least - 6.0/10

4. The Gentlemen

Okay, this one is kind of a cheat. This was a theatrical release, but as its a 2020 release, and because I watched it around the time as all these other movies, I thought it'd fit just fine in this list. It also fits well on this list because it's the exact same, quality-wise. Despite having some really fun performances from Hugh Grant, Matthew McConaughey and Colin Farrell in particular, the storytelling was just all over the place. While I did enjoy myself in parts, the overall flow of the narrative felt so disjointed and messy that I had a hard time following along, which hindered my enjoyment elsewhere. This movie may get better upon rewatching, but as it is, I didn't have such a good time - 6.5/10

3. Greyhound

The rest of the movies on this list are ones I actually liked, to some extent. Greyhound is a fine, but largely flawed movie. As a war film, it never dedicated itself to a particular aspect to focus on. With films like this, the focus should either be on the story and characters, like in Saving Private Ryan, or the filmmaking, like in Dunkirk or 1917. Here, it doesn't develop the characters enough for the audience to feel tension for them, and the filmmaking isn't interesting or effective enough the put the audience in the right atmosphere. As a result, moments specifically designed for an emotional response felt empty, and the action felt repetitive with the endless shots of waves crashing onto the decks and men shouting navy jargon. Ultimately, the main saving grace was Tom Hanks, who is extremely watchable and charismatic in anything. In the end, Greyhound gets the job done just fine, even if it isn't that remarkable. It's easy to see why this was dumped onto streaming and didn't wait for cinemas to reopen, as it is basically a throwaway war movie - 6.5/10

2. Da 5 Bloods

I enjoyed this movie quite a bit. The acting from all the leads was terrific, and the cinematography was very inventive with how it played around with aspect ratios when going back and forth with points in time. My usual issue with pacing was very evident here, as it was quite a long watch and didn't strike me as something I'd frequently come back to. But, while it was on, even if I didn't enjoy it to the fullest, I respected it for the story it told and the way it was brought to life. This is probably the best film on this list, but the one above is something I just enjoyed a whole lot more. Also, while I'm here and discussing this film, I'd just like to address the unfortunate passing of Chadwick Boseman. Such a charismatic, bold, and talented figure, and someone who will be greatly missed. May he rest in peace - 7.0/10

1. Eurovision Song Contest: The Story of the Fire Saga

According the Letterboxd, this is the second worst film on this list on average. But dammit, I enjoyed this movie so very much. I'm not going to act like it's anything amazing, because it follows a very cliché and tired formula for the most part, but it succeeds so well for what it is. Eurovision is a song contest that, from my perspective, is built on the idea of just spreading joy and being good fun, and this movie encapsulated that philosophy perfectly. Will Ferrell and Rachel McAdams are both really funny as the two leads, and they massively help make this film the good time that it is. Additionally, I quite liked some of the songs, as they did feel very Eurovision-esque. I can imagine most people didn't like this movie because they just thought it was a lazy comedy, but if like me you're familiar with Eurovision and the fun you get from it, you'll probably like this too - 7.5/10

So yeah, not a particularly strong bunch, but that doesn't matter anymore. The cinemas are back and big, new releases are on the way, assuming nothing goes awry in the next few months. Obviously, Tenet is the most anticipated at the moment, but I'm also really looking forward to The King's Man, Black Widow, The French Dispatch, No Time to Die, and Dune. Let's hope they all see the light of day soon and aren't shoved back even further!